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O que torna as jóias de cerâmica únicas: Materiais, design e artesanato
Descubra o encanto da joalharia em cerâmica: Design e técnicas inovadoras
Os ornamentos de cerâmica referem-se a artigos decorativos feitos de vários materiais cerâmicos ou combinados com metais e outros materiais que adornam o corpo humano e o ambiente que lhe está associado (incluindo jóias, ornamentos, etc.).
A cerâmica, enquanto meio artístico único, tem as suas caraterísticas materiais e conotações histórico-culturais. Do ponto de vista material, a cerâmica possui uma textura suave, esmaltes variáveis, texturas ricas e o elemento do acaso na sua produção. Este facto confere à arte cerâmica um encanto que não pode ser alcançado com outros materiais. Ao mesmo tempo, os materiais cerâmicos têm propriedades superiores, tais como elevada dureza, resistência ao desgaste, resistência aos ácidos, resistência aos álcalis, resistência ao frio e resistência ao calor, o que os torna inigualáveis na decoração moderna. Através da moderna ciência e tecnologia dos materiais, a tecnologia nanocerâmica pode alterar a fraqueza fatal da cerâmica, que é ser frágil, transformando-a num novo material para jóias com elevada resistência e tenacidade, proporcionando mais possibilidades para o design de jóias.
As jóias de cerâmica são um novo tipo de acessório com um estilo novo e único. Podem destacar-se com formas invulgares, sobressair nas cores dos vidrados ou apresentar novas formas de decoração, criando uma imagem artística rica em significado e elegância.
Anel de cerâmica de precisão Chanel 18K cravejado de diamantes
Índice
Secção I Introdução aos materiais cerâmicos
1. O conceito de cerâmica
A cerâmica é um termo geral que designa um tipo de material e os seus produtos indispensáveis na vida e na produção humanas. A cerâmica foi objeto de milhares de anos de desenvolvimento na história da humanidade. Tradicionalmente, a cerâmica refere-se a vários produtos fabricados a partir de argila como principal matéria-prima, misturada com outras matérias-primas minerais naturais através de trituração e mistura→modelagem→ sinterização. Os produtos cerâmicos comuns de uso diário, a cerâmica arquitetónica e a porcelana eléctrica pertencem à cerâmica tradicional. Uma vez que as suas principais matérias-primas são minerais de silicato (como argila, feldspato, quartzo, etc.) provenientes da natureza, podem ser classificados como materiais e produtos de silicato. A indústria de cerâmica tradicional pode ser classificada juntamente com o vidro, o cimento, o esmalte e os materiais refractários na "indústria de silicatos".
Com o desenvolvimento da ciência e da tecnologia modernas, é necessário utilizar plenamente as propriedades físicas e químicas dos materiais cerâmicos. No século passado, surgiram muitos novos tipos de cerâmica, como a cerâmica de óxido, piezoeléctrica e várias cerâmicas funcionais e de alta temperatura. Embora o seu processo de produção ainda se baseie fundamentalmente nos métodos tradicionais de produção de cerâmica de processamento de matérias-primas→formação→sinterização, as matérias-primas utilizadas já não são materiais cerâmicos tradicionais como a argila ou são muito pouco utilizadas. Expandiu-se para matérias-primas químicas e minerais sintéticos, mesmo matérias-primas não silicatadas e não óxidas, e a gama de composição também se estendeu ao âmbito dos materiais inorgânicos não metálicos, com muitos processos novos a surgir. Por conseguinte, o conceito alargado de cerâmica é um termo geral para materiais sólidos inorgânicos não metálicos e produtos fabricados utilizando métodos de produção de cerâmica, e o termo cerâmica utilizado internacionalmente não tem um limite unificado em vários países.
2. Classificação das cerâmicas
Existem muitos tipos de cerâmica e vários métodos de classificação. Com base no seu conceito e utilização, as cerâmicas podem ser divididas em duas categorias principais: cerâmicas comuns e cerâmicas especiais.
A cerâmica comum refere-se à cerâmica tradicional no âmbito do conceito de cerâmica. Esta categoria de produtos cerâmicos é a mais comum e amplamente utilizada na vida quotidiana e na produção das pessoas. Dependendo das suas áreas de aplicação, podem ser divididas em cerâmica de uso diário (incluindo cerâmica de exposição artística), cerâmica sanitária arquitetónica, cerâmica química, porcelana, cerâmica eléctrica e outras cerâmicas industriais. A cerâmica de uso quotidiano é a cerâmica tradicional mais antiga e mais utilizada entre os vários produtos cerâmicos. Estes produtos cerâmicos têm o maior carácter prático e estético e são também o resultado da combinação orgânica da ciência e tecnologia da cerâmica com as artes e ofícios. A cerâmica decorativa também pertence a esta categoria de produtos. A cerâmica decorativa pode ser definida como um produto fabricado a partir de minerais de silicato de alumínio ou de certos óxidos como matérias-primas principais, concebido de acordo com estilos específicos e produzido através de processos químicos particulares a altas temperaturas e sob determinadas atmosferas (oxidação, carbonização, nitridação, etc.) para obter a forma desejada, com uma superfície revestida com vários vidrados esteticamente agradáveis ou decorações específicas. Algumas porcelanas apresentam também diferentes graus de translucidez. O corpo compreende um ou mais cristais, ligantes amorfos, poros ou microestruturas relativamente ao encapsulamento do clínquer.
As cerâmicas especiais referem-se a materiais e produtos cerâmicos envolvidos no conceito alargado de cerâmica para além da cerâmica comum. As cerâmicas especiais são produtos cerâmicos necessários para várias indústrias modernas e tecnologias científicas de ponta e as matérias-primas e os processos de produção são significativamente diferentes e mais avançados do que as cerâmicas comuns. Em termos de desempenho, as cerâmicas especiais possuem diferentes propriedades e funções especiais, tais como elevada resistência, elevada dureza, resistência à corrosão, condutividade eléctrica, isolamento e funções especiais em magnetismo, eletricidade, ótica, acústica e bioengenharia, o que permite a sua aplicação extensiva a altas temperaturas, engenharia mecânica, eletrónica, aeroespacial e médica. Em termos de composição, as cerâmicas tradicionais são determinadas pelos componentes da argila, pelo que as cerâmicas de diferentes regiões e fornos têm texturas diferentes. Uma vez que as matérias-primas das cerâmicas especiais são compostos puros, a sua composição é determinada por rácios artificiais e a qualidade das suas propriedades é determinada pela pureza das matérias-primas e dos processos e não pelo local de origem. Em termos de processos de preparação, as limitações da cerâmica tradicional, que se baseia principalmente em fornos para a produção, foram ultrapassadas com a utilização generalizada de métodos como a sinterização sob vácuo, a sinterização em atmosfera protetora, a prensagem a quente e a prensagem isostática a quente. Em termos de matérias-primas, as limitações das cerâmicas tradicionais, que utilizam essencialmente argila como matéria-prima principal, foram ultrapassadas; as cerâmicas especiais utilizam geralmente óxidos, nitretos, silicietos, boretos, carbonetos e outros materiais como matérias-primas principais.
3. Composição dos materiais cerâmicos
Os materiais cerâmicos pertencem a materiais inorgânicos não metálicos, na sua maioria óxidos contendo silício e outros elementos. A sua composição em matérias-primas consiste principalmente em quatro partes: matérias-primas para o corpo cerâmico, matérias-primas para o vidrado, materiais corantes para decoração e aditivos de matérias-primas.
(1) Matérias-primas para o corpo cerâmico
Em geral, são matérias-primas minerais naturais, que podem ser divididas em materiais à base de argila, materiais siliciosos, matérias-primas minerais de cálcio e magnésio e outros materiais de areia de porcelana com base nas suas propriedades físicas e químicas.
As matérias-primas à base de argila nas fórmulas de produção de cerâmica resultam da sua plasticidade. Combinadas com as matérias-primas à base de areia de porcelana, reforçam os produtos, assegurando que estes se mantêm intactos durante o transporte e a decoração na linha de produção. Representam cerca de 10%~40% de toda a composição. As matérias-primas à base de areia de porcelana provêm principalmente de minas e são o principal componente das matérias-primas cerâmicas, representando geralmente cerca de 50%~90%. Os tipos e os minerais típicos são os seguintes: quando a argila e a areia de porcelana são combinadas, moídas até uma certa finura e cozidas a uma temperatura adequada, formam corpos cerâmicos com várias taxas de absorção de água, taxas de contração e diferentes propriedades físicas e químicas.
(2) Matérias-primas para o vidrado
A maior parte delas são matérias-primas normalizadas formadas por um processamento profundo e síntese completa de alguns minerais naturais e algumas matérias-primas químicas, como o quartzo, o caulino, a alumina, o dióxido de manganésio e o óxido férrico. Os materiais de frita sintética também apareceram com o aparecimento da tecnologia de cozedura rápida a baixa temperatura na cerâmica moderna. As suas diferentes combinações podem criar esmaltes com texturas variadas e efeitos extremamente ricos, utilizando-os para cobrir a superfície do corpo cerâmico, resultando em muitos efeitos decorativos artísticos.
(3) Pigmentos
O pigmento é o agente corante aplicado ao esmalte do corpo, que é geralmente adicionado diretamente ao material do corpo e ao esmalte durante a utilização. Os agentes corantes comuns na cerâmica incluem o óxido férrico, o óxido de cobre, o óxido de cobalto, o óxido de manganésio e o dióxido de titânio, que apresentam vermelho, verde, azul, roxo e amarelo.
(4) Aditivo
Alguns aditivos utilizados na produção de cerâmica podem ser designados por "sal e glutamato monossódico" da indústria cerâmica, uma vez que podem melhorar significativamente muitas propriedades na produção de materiais de revestimento de corpos cerâmicos. Por exemplo, a utilização de uma pequena quantidade de tripolifosfato de sódio em condições de baixa humidade pode ajudar a pasta a obter uma boa diluição. Os aditivos podem ser sistematicamente classificados de acordo com as suas funções em defloculantes, agentes molhantes, conservantes, etc.
4. As propriedades dos materiais cerâmicos
As propriedades dos materiais cerâmicos incluem propriedades físicas, propriedades químicas, propriedades mecânicas, propriedades térmicas, propriedades eléctricas, propriedades magnéticas e propriedades ópticas, entre outras. Esta secção centra-se na análise e explicação das caraterísticas gerais de desempenho dos materiais cerâmicos.
(1) Propriedades físicas
① Propriedades térmicas. As propriedades térmicas dos materiais cerâmicos referem-se a aspectos como o ponto de fusão, a capacidade térmica, a expansão térmica e a condutividade térmica.
O ponto de fusão dos materiais cerâmicos é geralmente mais elevado do que o dos metais, com alguns a atingir mais de 3000℃. Eles têm resistência superior a altas temperaturas em comparação com os metais, tornando-os materiais resistentes a altas temperaturas comumente usados em engenharia.
O coeficiente de expansão linear das cerâmicas é relativamente pequeno, muito inferior ao dos metais; a sua condutividade térmica baseia-se principalmente nas vibrações térmicas dos átomos. A condutividade térmica dos diferentes materiais cerâmicos varia; alguns são bons materiais isolantes, enquanto outros são bons materiais condutores térmicos, como as cerâmicas de nitreto de boro e de carboneto de silício.
A estabilidade térmica refere-se à capacidade de um material resistir a danos quando sujeito a mudanças rápidas de temperatura. Os materiais com um grande coeficiente de expansão térmica, fraca condutividade térmica e baixa tenacidade têm baixa estabilidade térmica. A maioria das cerâmicas tem uma fraca condutividade térmica e baixa tenacidade, apresentando assim uma fraca estabilidade térmica. No entanto, algumas cerâmicas, como o carboneto de silício, têm uma elevada estabilidade térmica.
② Condutividade. A maioria das cerâmicas tem boas propriedades de isolamento, mas algumas, como as piezoeléctricas e as supercondutoras, têm uma certa condutividade.
③ Propriedades ópticas. As cerâmicas são geralmente opacas, mas com o desenvolvimento da tecnologia, foram desenvolvidos novos tipos de cerâmicas, tais como materiais para dispositivos laser sólidos, materiais para fibras ópticas e materiais para armazenamento ótico.
(2) Propriedades químicas
A estrutura da cerâmica é muito estável e, em circunstâncias normais, é improvável que reaja com o oxigénio no meio. Não oxida à temperatura ambiente; mesmo acima de 1000 ℃, não oxidaráidize. Tem também uma forte resistência à corrosão por ácidos, bases e sais e pode resistir à erosão de metais fundidos (como o alumínio, o cobre, etc.).
(3) Propriedades mecânicas
O módulo de elasticidade das cerâmicas é geralmente elevado, tornando-as muito difíceis de deformar. Algumas cerâmicas avançadas têm uma boa elasticidade e podem ser transformadas em molas de cerâmica. As cerâmicas têm uma dureza muito elevada, sendo a dureza da maioria das cerâmicas muito superior à dos metais. As cerâmicas têm uma boa resistência ao desgaste, o que as torna um bom material para o fabrico de vários componentes facilmente danificados com requisitos especiais. A resistência à tração das cerâmicas é baixa, mas a resistência à flexão é relativamente elevada e a resistência à compressão é ainda maior, geralmente uma ordem de grandeza superior à resistência à tração.
Os materiais cerâmicos têm uma elevada dureza e um elevado módulo de elasticidade devido à estrutura dos seus cristais iónicos internos. Os materiais cerâmicos são, na sua maioria, cristais iónicos formados por ligações iónicas; as ligações covalentes também formam cristais covalentes. Nestas estruturas cristalinas, a energia de ligação é elevada e a combinação de iões positivos e negativos é forte, resistindo à deformação elástica sob forças externas e apresentando fortes capacidades de riscagem e de indentação, mostrando assim caraterísticas de elevado módulo de elasticidade e dureza. Além disso, este tipo de estrutura cristalina tem uma direccionalidade óbvia, pelo que os sistemas de deslizamento nas cerâmicas policristalinas são muito poucos e dificilmente produzem deformação plástica sob forças externas, resultando frequentemente em fratura frágil, que é o inconveniente fatal das cerâmicas como materiais de engenharia. Devido à fragilidade das cerâmicas, a sua resistência ao impacto é muito baixa e a sua resistência à fadiga também é fraca.
Com o avanço da ciência e tecnologia dos materiais, têm sido estudados nos últimos anos materiais cerâmicos de precisão com superplasticidade, que podem atingir uma tensão de cerca de 300% antes da fratura. Como se mostra na Figura 7-1, a placa de cerâmica tem 3 m de comprimento, 1 m de largura e apenas uma espessura de 3 mm, podendo ser dobrada ao longo da direção do comprimento. Os materiais cerâmicos de precisão comuns incluem a alumina e a zircónia; as suas propriedades são apresentadas na Tabela 7-1.
Quadro 7-1 Desempenho das cerâmicas de precisão
| Propriedades físicas | Cerâmica de alumina | Cerâmica de zircónio |
|---|---|---|
| Fração de qualidade/% | Óxido de alumínio＞99. 8% | Zircónio＞97% |
| Densidade /(g - cm-3) | 3.93 | 6.05 |
| Hardness HV | 2300 | 1300 |
| Compressive strength /MPa | 4500 | 2000 |
| Bending strength /MPa | 595 | 1000 |
| Young's modulus/GPa | 400 | 150 |
| Fracture toughness K/(MPa · m½) | 5〜6 | 15 |
Section II Ceramic Jewelry
1. Overview of the Development of Ceramic Jewelry
The famous French porcelain artist Bernardaud proposed the concept of “ceramic jewelry.” Faced with difficulties in his ceramic shop and a decline in porcelain sales, he suggested expanding the variety of porcelain products by creating ceramic jewelry. The initial ceramic jewelry was ceramic rings, designed simply and elegantly. These caused a great sensation upon their launch in France and were favored by customers.
Professor Klaus Dembrowski from Germany is the world’s first ceramic jewelry designer. Since 1972, he has been engaged in the research and design of ceramic jewelry at the institution where he teaches, and his works have won multiple national and international awards. Other famous ceramic jewelry designers from Germany include Pierre Cardin and Barbara Gotthoff.
Ceramic jewelry have a history of several decades since they were first introduced. During this time, European countries have seen a significant emergence of ceramic jewelry, with varying degrees of development in countries like France and Germany; Asian countries such as South Korea and Japan have also introduced many new styles of ceramic jewelry, which are elegant and cute and are very popular among consumers, making them a great choice for gifts.
With the emergence of high-toughness zirconia precision ceramic materials, using ceramic materials in jewelry design has become one of the hottest trends in recent years. Many jewelry brands have launched ceramic jewelry, with the most representative being the black and white ceramic wedding rings in Chanel’s Ultra collection; Italy’s Damiani has also combined white and black ceramics with gold and diamonds to create a new fashion trend; additionally, Cartier’s black and white diamond ceramic bracelets and rings, as well as Bulgari’s rose gold three-ring black and white ceramic ring, are also leading the new trend in ceramic jewelry. Major brands are creating high-end jewelry by mixing uniquely creative high-precision ceramics with other metal powders, which possess a quality as precious as that of precious metals, and their distinctive designs can bring a more modern and avant-garde atmosphere to traditional jewelry.
Figura 7-2 Anel de cerâmica de precisão Chanel 18K cravejado de diamantes
Figure 7-3 Damiani precision ceramics
2. Characteristics of Ceramic Jewelry
The materials used in ceramic jewelry are sourced from the earth and stones of nature, which possess many natural characteristics. Due to the close relationship between humans and nature, the earth and stones from nature hold a special significance for people. Ceramic materials have excellent properties such as high hardness, wear resistance, acid resistance, alkali resistance, cold resistance, and heat resistance, and they are low in harm, environmentally friendly, energy-saving, and healthy. The trace elements contained in the raw materials are beneficial to human health. Research has confirmed that ceramics have health benefits, such as improving metabolism and promoting blood circulation. Ceramics can emit beneficial infrared rays on humans at room temperature, and the infrared rays it emits match the wavelength of the infrared rays emitted by the human body. Thus, a resonance phenomenon can occur when ceramics are close to the human body. In addition, due to changes in people’s aesthetic concepts, the traditional value of preservation of jewelry has been abandoned, and ceramic jewelry have placed more emphasis on decoration, becoming a new type of “green jewelry.”
Ceramic jewelry are flowing and dynamic, with dazzling and vibrant colors, rich hues, unique shapes, and wonderful artistic concepts. Worn on fingers, ears, wrists, or necks, they possess a cold and elegant beauty akin to gemstones and jade, surpassing the artistic effects of amber and agate. The colorful and vivid glazes, with their jade-like warmth, icy textures, and sparkling crystalline luster, evoke a sense of the enchanting beauty of the glazes, fully showcasing a charm akin to ice and fire. This is irreplaceable by jewelry made from other materials, as they expand the aesthetic vision of jewelry design and meet the diverse aesthetic needs of individuals with different personalities for modern accessories.
The production process of ceramic jewelry is simple and low-cost, making them truly affordable and of good quality. This is beneficial for the popularization of jewelry.
3. Categories of Ceramic Jewelry
The categories of ceramic jewelry are rich and diverse; common jewelry include:
(1) Ceramic rings. There are many types, including plain ceramic rings with ceramic as the band and rings with metal bands inlaid with ceramic.
(2) Ceramic bracelets. A typical example is the blue and white porcelain bracelet, which is decorated with natural cobalt materials painted on white clay, then covered with a transparent glaze, and fired at high temperatures in one go, allowing the color to fully penetrate the glaze, presenting a vibrant blue pattern that appears elegant and pure. Another type is the ice crack glaze ceramic bracelet. In ceramics, if the ceramic body and glaze are not properly designed in formulation and firing, a significant difference in their expansion coefficients can often cause cracks in the glaze surface. However, intentionally creating cracks in the glaze surface has charm, known in ceramics as crackle glaze. “Ice crack glaze” differs from crackle glaze in that the former has a multi-layered three-dimensional structure of cracks, resembling the layers of rose petals, combined with variations in glaze color, resulting in a very good artistic effect. In contrast, the latter has a single-layer crack.
(3) Ceramic necklace.
(4) Ceramic pendant.
(5) Ceramic earrings.
(6) Ceramic watch.
(7) Ceramic hairpin.
The typical examples of the above ceramic jewelry are as follows.
Ceramic Plain Ring
Anel de metal e cerâmica
Ceramic Bracelet
Crackle Glaze Ceramic Bracelet
Ceramic Necklace
18K Diamond Necklace with Ceramic
Ceramic Earrings
Ceramic Pendant
Ceramic Watch
Ceramic Hairpin
Copywrite @ Sobling.Jewelry - Fabricante de jóias personalizadas, fábrica de jóias OEM e ODM
Section III Production Process of Ceramic Jewelry
The main components of ceramic raw materials are silicon and aluminum. The composition of ceramics is not fundamentally different from that of rocks; the only difference is between natural and artificial. Ceramic jewelry are mostly sintered ceramics because they cannot flow molten liquid into molds like metals and plastics. They are made using the hot pressing method due to their inherent plastic deformation properties, so they are produced by powder forming followed by sintering. The production of ceramic jewelry can be divided into four main processes: raw material processing, clay body shaping, glazing, and sintering, which are clay preparation, shaping, glazing, and sintering, as shown in Figure 7-4.
1. Clay Preparation
There is a saying in the ceramics industry: “Raw materials are the foundation; firing is the key. ” This saying reflects the importance of processing raw and ceramic body materials in ceramic production. To achieve stable quality in ceramic jewelry, raw mineral materials with stable and reliable components and performance in powder preparation are necessary. After extracting porcelain stone and kaolin, they are processed through crushing, washing, and other procedures to remove coarse impurities from the raw materials, forming block materials, which are then refined, processed, and formulated into suitable body and glaze materials for various porcelain uses.
The purpose of clay preparation is, on the one hand, to remove impurities and, on the other hand, to combine clays from different sources with varying forming and firing properties into a mature clay that meets the needs of the maker, with a certain range of firing temperatures that can correspond with the glaze and firing temperature. Sometimes, sand is appropriately mixed in to enhance the support strength of the clay under high-temperature firing conditions and prevent the body from collapsing. Sometimes, in pursuit of the color of the fired clay, some coloring materials are added to create a “colored body.” The chemical composition of earthenware clay and porcelain clay is the same. Still, due to weathering and re-weathering, their physical properties have changed, resulting in earthenware clay having greater viscosity and plasticity. In contrast, porcelain clay is characterized by brittleness and a higher degree of vitrification at high temperatures.
2. Shaping
After the ceramic raw materials are prepared, the forming stage begins. Forming is adding plasticizers and other materials to the ceramic powder to create a paste, which is then further processed into semi-finished products of specific shapes and sizes. The purpose of shaping is to achieve a uniform and high-density body, and improving forming techniques is a key step in enhancing the reliability of ceramic products. There are various forming methods for ceramic jewelry, which need to be selected according to the characteristics of the product.
A single personalized piece of jewelry can be directly shaped by hand. First, both hands knead the clay repeatedly, eliminating the air bubbles inside and making the clay more “mature.” Use the hand-sculpting method to shape the jewelry to the required dimensions. A wheel-throwing method can also be used for larger ceramic jewelry or figurines. After the ceramic body is shaped, it must be refined, smoothed with wet hands, and stamped. The purpose is to prevent the surface from cracking too early due to drying, to make the surface smooth, and to fill in and level out any uneven areas of the clay body.
Currently, most ceramic jewelry are produced in batches, generally requiring forming equipment and molds to improve production efficiency and achieve stable and consistent product quality.
(1) Compression Shaping
It is a method of adding organic binders to the powder material, filling the mixed plastic into a metal mold, and forming a shaped body with a certain strength after applying pressure. Its advantages are low cost and small dimensional errors of the shaped body. The pressure is within the range of 200~2000kgf/cm2(1kgf/cm2=98.0665kPam).
(2) Isostatic Pressing
It is a method for forming uniform powder shapes. Because it uses a rubber bag (mold), it is also called the rubber bag forming method. This method involves placing the powder into a rubber bag and then placing the rubber bag filled with powder into a hydrostatic chamber for shaping. The pressure in the hydrostatic chamber is evenly applied to the powder, thus achieving a well-formed body.
(3) Extrusion Shaping
It is a method of extruding the mixed plastic raw material from the mold hole, with the forming ceramic body material enters the cap from the supply hole in the cap, expands into a thin wall after subdivision, and then combines, thus obtaining a quality with good extensibility and cohesiveness. In extrusion forming, the choice of binder should optimize both the flowability and self-adhesion of the ceramic body material.
(4) Grouting Shaping
It is made from a slurry with fluidity created using water and other materials, which is injected into a porous gypsum mold. Water seeps into the gypsum mold through the contact surface, forming a hard layer on the surface. This forming method produces a shape on the inner surface of the gypsum mold that is the same as the shape of the formed body. It is further divided into double-sided slurry feeding method (solid injection method) and single-sided slurry feeding method (hollow injection method). The key tool for slurry forming is a special gypsum mold or a porous model made of other materials. When using a gypsum mold, in addition to reinforcing the mold wall with steel bars to withstand the pressure of the mold head, it is also necessary to appropriately distribute smaller-diameter porous hoses within the mold wall. These small tubes can quickly and evenly drain water during pressurized forming and blow air in to assist with demolding. When using a metal mold head, lubricants or heating methods can be employed to prevent sticking. When using a gypsum mold head, air is blown into the mold during demolding, causing the ceramic body to adhere to the mold head and separate from the mold. Finally, air is blown into the mold head again to detach the body from the mold head. The ceramic body from slurry forming does not need to dry with the mold, resulting in higher production efficiency compared to the production of plastic-molded irregular products, and the quality of the ceramic body is good, making it a promising new process.
(5) Hot Press Shaping
It is a method of forming by adding plastic to the powder and using the same method as resin molding. Although this method is suitable for forming complex parts, if the amount of adhesive exceeds 15%~25%, debinding becomes difficult. Currently, this method is not suitable for large, thick-walled products.
3. Drying
The drying of ceramics is one of the very important processes in ceramics production technology, and improper drying causes a large part of the quality defects in ceramic products. Drying is a relatively simple technical process, but it is widely applied; it not only affects the product quality and yield of ceramics but also affects the overall energy consumption of ceramic enterprises. The basic requirements for drying technology include fast drying speed, energy saving, high quality, and no pollution.
(1) Mechanism of the Ceramic Drying Process
The moisture content of ceramic bodies generally ranges between 5%~25%. The forms of binding between the ceramic body and moisture, the changes in the material during the drying process, and the factors affecting the drying rate are the theoretical basis for analyzing and improving dryers. When the ceramic body comes into contact with still air at a certain temperature and humidity, it will inevitably release or absorb moisture, causing the moisture content of the ceramic body to reach a certain equilibrium value. As long as the state of the air remains unchanged, the moisture content achieved in the ceramic body will no longer change with an increase in contact time; this value is the equilibrium moisture content of the ceramic body under that air state. The moisture lost by the wet ceramic body upon reaching equilibrium is called free moisture. In other words, the ceramic body’s moisture content consists of equilibrium and free moisture. Under certain air conditions, the limit of drying is to bring the ceramic body to its equilibrium moisture content.
The moisture contained in the body can be divided into physical and chemical water. The drying process only involves physical water, further divided into bound and unbound water. Unbound water exists in the large capillaries of the body and is loosely combined with the body. The evaporation of unbound water in the body is similar to that of water on a free liquid surface, where the partial pressure of water vapor on the body’s surface equals the saturated vapor pressure at its surface temperature. When unbound water is expelled from the body, the particles of the material come closer together, resulting in volume shrinkage; therefore, unbound water is also referred to as shrinkage water. Bound water is the water present in the micro-capillaries of the body (with a diameter less than 0.1㎛) and on the surface of colloidal particles, which is more firmly combined with the body (due to physicochemical interactions). Therefore, when bound water is expelled, the partial pressure of water vapor on the body’s surface will be less than the saturated vapor pressure at the body’s surface temperature. During the drying process, when the partial pressure of water vapor on the body’s surface equals the partial pressure of water vapor in the surrounding drying medium, the drying process stops, and moisture cannot continue to be expelled. At this point, the moisture contained in the body is called equilibrium water, which is a part of bound water, and its amount depends on the temperature and relative humidity of the drying medium. When bound water is expelled, the volume of the body does not shrink, making it relatively safe.
(2) The Drying Process of the Ceramic Body
Taking the convective drying process as an example, the drying process of the ceramic body can be divided into three simultaneous and interrelated processes: heat transfer, external diffusion, and internal diffusion.
Heat transfer process: The heat of the drying medium is transferred to the surface of the workpiece by convection and then conducted from the surface to the interior of the workpiece. The moisture on the surface of the workpiece receives heat and vaporizes, changing from liquid to gas.
External diffusion process: The water vapor generated on the surface of the ceramic body moves from the surface to the drying medium by diffusion through the laminar flow layer under the influence of a concentration difference.
Internal diffusion process: Due to the evaporation of moisture from the surface of the wet body, a humidity gradient is created inside, promoting the diffusion of moisture from the inner layer with a higher concentration to the outer layer with a lower concentration, referred to as moisture conduction or moisture diffusion.
Under stable drying conditions, the surface temperature of the ceramic body, moisture content, drying rate, and time have a certain relationship. Based on the changing characteristics of their relationships, the drying process can be divided into three stages: heating stage, constant rate drying stage, and falling rate drying stage.
During the heating stage, since the heat transferred from the drying medium to the surface of the body in a unit of time is greater than the heat consumed by the evaporation of surface moisture, the temperature of the heated surface gradually rises until it equals the wet bulb temperature of the drying medium. At this point, the heat gained by the surface and the heat consumed by evaporation reach a dynamic equilibrium, and the temperature remains constant. In this stage, the body’s moisture content decreases, and the drying rate increases.
The constant rate drying stage continues to expel non-combined water. Since the moisture content of the body is relatively high, the amount of water evaporated from the surface can be replenished from the inside, meaning that the internal moisture movement speed (internal diffusion rate) equals the surface moisture evaporation rate, which also equals the external diffusion rate, thus keeping the surface in a moist state. Additionally, the heat transferred from the medium to the body’s surface equals the heat required for the vaporization of the moisture. Hence, the body’s surface temperature remains constant, equal to the wet bulb temperature of the medium. The water vapor partial pressure at the body’s surface equals the saturated water vapor partial pressure at the surface temperature, and the drying rate is stable. Hence, it is called the constant rate drying stage. This stage is focused on expelling non-combined water, so the body will experience volume shrinkage, with the amount of shrinkage being linearly related to the reduction in moisture content. If not operated properly, drying too quickly can easily deform and crack the body, resulting in dry waste. At the end of the constant drying phase, the moisture content of the material drops to a critical value. At this point, although the internal moisture of the material is still free water, bound water begins to appear in the surface layer.
In the falling rate drying stage, the body’s moisture content decreases, and the internal diffusion rate cannot keep up with the evaporation rate of surface moisture and the external diffusion rate. The surface is no longer moist, and the drying rate gradually decreases. As the heat required for surface moisture evaporation decreases, the temperature of the material begins to rise gradually. The vapor pressure of water vapor on the material’s surface is less than the saturated vapor pressure of water vapor at the surface temperature. This stage expels bound water; the body does not undergo volume shrinkage and will not produce drying waste. When the moisture expelled from the material equals the equilibrium moisture, the drying rate becomes zero, and the drying process terminates. Even if the drying time is extended, the moisture of the material will no longer change. At this time, the material’s surface temperature equals the medium’s dry bulb temperature, and the surface vapor pressure equals the vapor pressure of the medium. The drying speed in the slow drying stage depends on the internal diffusion rate; hence, it is also called the internal diffusion control stage. At this time, factors such as the material’s structure, shape, and size affect the drying rate.
(3) Factors Affecting Drying Rate
Factors affecting the drying rate include heat transfer and external and internal diffusion rates.
① Accelerate the heat transfer rate. To accelerate the heat transfer rate, the following three points should be achieved: first, increase the temperature of the drying medium, such as raising the temperature of the hot gas in the drying kiln, increasing the hot air furnace, etc., but the surface temperature of the ceramic body should not rise too quickly to avoid cracking; second, increase the heat transfer area: for example, change from single-sided drying to double-sided drying, stack the ceramic bodies in layers or reduce the number of layers, increasing the contact area with the hot gas; third, improve the convective heat transfer coefficient.
② Increase the external diffusion rate. When drying is in the constant rate drying stage, the external diffusion resistance becomes the main contradiction affecting the overall drying rate. Therefore, reducing external diffusion resistance and increasing external diffusion rate have the greatest impact on shortening the entire drying cycle. External diffusion resistance mainly occurs in the boundary layer, so the following three points should be addressed: first, increase the medium flow rate to reduce the boundary layer thickness, thereby improving the convective heat transfer coefficient; the convective mass transfer coefficient can also be increased to facilitate an increase in drying speed; second, reduce the water vapor concentration of the medium and increase the mass transfer area, which can also improve drying speed; third, increase the internal diffusion rate of moisture.
The internal diffusion rate of moisture is jointly influenced by moisture diffusion and thermal diffusion. Moisture diffusion is the movement of water caused by a humidity gradient within the material. In contrast, thermal diffusion is the movement caused by a temperature gradient within the material. To increase the internal diffusion rate, the following five points should be addressed: first, align the directions of thermal diffusion and moisture diffusion, that is, try to make the temperature at the center of the material higher than that at the surface, such as through far-infrared heating or microwave heating; second, when the directions of thermal diffusion and moisture diffusion are aligned, enhance heat transfer to increase the temperature gradient within the material; when the two are opposite, strengthening the temperature gradient, although it increases the resistance to thermal diffusion, can enhance heat transfer, raise the material temperature, and increase moisture diffusion, thus accelerating drying; third, reduce the thickness of the body, changing from single-sided drying to double-sided drying; fourth, lower the total pressure of the medium, which is beneficial for increasing the moisture diffusion coefficient, thereby increasing the moisture diffusion rate; fifth, consider other factors related to the properties and shape of the ceramic body.
(4) Classification of Drying Technologies
Drying can be divided into natural and artificial, depending on whether a drying system controls it. Since artificial drying is people controlling the drying process, it is also called forced drying.
It can be classified into four types according to different drying methods.
- Convective drying. Its characteristic is using gas as the drying medium, blowing at a certain speed over the surface of the workpiece to facilitate drying.
- Radiation drying. This method uses infrared, microwave, and other electromagnetic radiation energy to irradiate the dried body, allowing it to dry.
- Vacuum drying. This method involves drying the ceramic body under vacuum (negative pressure). The green body does not need to be heated, but pumping equipment is required to create a certain level of negative pressure, so the system needs to be sealed, making continuous production difficult.
- Combined drying. Its characteristic is the comprehensive use of two or more drying methods to leverage their respective strengths, complementing each other, which often results in an ideal drying effect.
Some drying methods can also be divided into batch dryers and continuous dryers based on whether the drying process is continuous. Continuous dryers can further be classified into co-current, counter-current, and mixed flow based on the direction of movement of the drying medium and the workpiece. They can also be categorized into chamber dryers, tunnel dryers, etc., based on their shape.
4. Sintering
After the ceramic jewelry are shaped and refined, they can be fired. The sintering temperature and material selection determine the ceramics’ characteristics.
(1) Sintering Mechanism
Sintering is the process of placing granular ceramic green bodies in a high-temperature furnace to densify them into a strong solid material. Sintering begins with eliminating voids between body material particles, allowing the corresponding adjacent particles to bond into dense bodies. However, the sintering process must meet two basic conditions: ① there should be a mechanism for mass transport; ② there must be an energy (thermal energy) to promote and sustain mass transport.
Currently, the sintering mechanisms of fine ceramics have four sintering modes: gas phase sintering, solid phase sintering, liquid phase sintering, and reactive liquid sintering. Their material structural mechanisms and sintering driving forces are different. The main sintering mechanisms are liquid phase and solid phase sintering, especially for traditional ceramics and most electronic ceramics, which rely on liquid phase formation, viscous flow, and dissolution-precipitation processes. In contrast, the sintering of high-purity, high-strength structural ceramics mainly relies on solid phase sintering, which achieves material migration through grain boundary diffusion or lattice diffusion.
(2) Kilns Used for Ceramic Sintering
Ceramic materials and products can be fired in various kilns, either intermittent or continuous kilns. The former is periodic and suitable for small batches or special firing methods. The latter is used for large-scale production and relatively low firing conditions. The most widely used kiln for ceramic jewelry is the electric furnace. The firing temperature and the required atmosphere determine the type of kiln to be selected. According to the classification of traditional ceramic firing temperatures, temperatures below 1100℃ are low-temperature sintering, between 1100~1250℃ are medium-temperature sintering, between 1250~1450℃ are high-temperature sintering, and above 1450℃ are ultra-high-temperature sintering.
(3) Main Sintering Techniques for Ceramics
There are several technical methods for ceramic sintering.
① Normal pressure sintering (also known as pressureless sintering). It refers to the free sintering of the ceramic body under atmospheric pressure conditions. Sintering begins without external forces when the temperature generally reaches the material’s melting point between 0.5~0.8. At this temperature, solid-phase sintering can cause sufficient atomic diffusion. In contrast, liquid-phase sintering can promote the formation of a liquid phase or generate a liquid phase through chemical reactions to facilitate diffusion and viscous flow. Accurately formulating the firing curve is crucial in normal pressure sintering. An appropriate heating regime can ensure that the products reduce cracking and structural defects, thereby improving the yield.
② Hot pressing sintering and hot isostatic pressing sintering. Hot pressing sintering refers to applying a certain pressure (10~40Mpa) during the sintering process, which promotes the material’s accelerated flow, rearrangement, and densification. The temperature used in hot pressing sintering is generally 100℃ lower than that of conventional pressure sintering, mainly depending on the different products and whether a liquid phase is generated. The hot pressing sintering method uses pre-formed shapes or directly fills the powder into the mold, making the process relatively simple. Products made using this sintering method have high density, theoretical density reaching 99%, and excellent performance. However, this sintering method is unsuitable for producing complex-shaped products, has a smaller production scale, and higher costs.
Continuous hot pressing sintering has high production efficiency, but the costs of equipment and molds are relatively high, and it is not conducive to the firing of overly thick products. Hot isostatic pressing sintering can overcome the above shortcomings and is suitable for the production of complex-shaped products. Currently, some high-tech products, such as ceramic bearings, mirrors, nuclear fuel needed for military applications, and gun barrels, can also use this sintering process.
③ Reactive sintering. This method of sintering materials results from the interaction between the gas or liquid phase and the matrix material. The most typical representative products are reaction-sintered silicon carbide and reaction-sintered silicon nitride. The advantages of this sintering method are its simplicity, the ability to slightly process or not process the products, and the capability to prepare complex-shaped products. The disadvantages are residual unreacted products in the final products, the structure is difficult to control, and achieving complete reactive sintering for thicker products is challenging.
In addition to the reaction sintering of silicon carbide and silicon nitride, a new method for reaction sintering of aluminum oxide has recently emerged. This method can utilize the oxidation reaction of Al powder to prepare Al2O3 e Al2O3-Al composites with good material properties.
④ Liquid phase sintering. Many oxide ceramics use low melting point additives to promote material sintering. The addition of additives generally does not affect the material’s performance or may even positively affect certain functions. As additives are used for high-temperature structures, it is important to note that glass at the grain boundaries is a major factor causing a decline in high-temperature mechanical properties. If a liquid phase with a high melting point or viscosity is selected, or if a suitable liquid phase composition is chosen, followed by high-temperature heat treatment to precipitate certain crystal phases at the grain boundaries, it can improve the material’s creep resistance.
⑤ Microwave sintering method. It is a method that uses microwave energy for direct heating and sintering. Currently, there are microwave sintering furnaces with a volume of 1m3 and a firing temperature of up to 1650℃. The temperature can exceed 2000℃ if a controlled atmosphere graphite-assisted heating furnace is used. A microwave continuous heating tunnel furnace device with a length of 15 m has also appeared. Using microwave ovens to sinter ceramics is superior to other kilns regarding product quality and energy consumption reduction.
⑥ Arc plasma sintering method. Its heating method differs from hot pressing; it applies a pulsed power supply to the product while applying stress, toughening, and densifying the material simultaneously. Experiments have shown that this method sinters fast, enabling materials to form fine-grained high-density structures, which is expected to be more suitable for sintering nanoscale materials. However, it is still in the research and development stage, and many issues must be explored in depth.
⑦ Self-manufactured sintering method. It is a method for producing precision ceramic products through the rapid exothermic chemical reaction of the material itself, saving energy and reducing costs.
⑧ Gas phase deposition method. It is divided into two categories: the physical gas phase method and the chemical gas phase method. The main types in the physical method are sputtering and evaporation deposition. Sputtering involves bombarding a flat target material with electrons in a vacuum, exciting the target material’s atoms, which then coat the sample substrate. Although the coating speed is slow and only used for thin coatings, it allows for control of purity and does not require substrate heating. The chemical vapor deposition method involves heating the substrate while introducing reactive gases or gas mixtures, which decompose or react at high temperatures to deposit products on the substrate, forming dense materials. The advantage of this method is that it can produce high-density fine crystalline structures, and the materials’ optical transparency and mechanical properties are better than those obtained from other sintering processes.
5. Glazing
The ceramic body is composed of crystalline phases generated after high-temperature firing, glass phases, unreacted quartz in the raw materials, and pores. The crystalline phase material can improve ceramic products’ physical and chemical properties, such as increasing mechanical strength, wear resistance, and thermal stability. Still, it has poor light transmittance and a rough cross-section. The glass phase material fills around the crystalline phase material to make it a coherent whole, enhancing the overall performance of the ceramic. Still, the glass phase is brittle, with poor thermal stability and wear resistance, so the glass phase must be controlled within a certain range. The glass phase can improve the light transmittance of ceramics, making the cross-section finer.
Ceramics can be divided into glazed and unglazed, but the vast majority need to be glazed for ornaments. If there is no glaze on ceramic ornaments, no matter how beautiful the shape or how new the style is, they will lose their charm. Ceramics are the art of fire, and various changes occur due to the action of fire, but mainly, it is the glaze that changes in the fire. The glaze on the surface of glazed ceramics is very similar to glass, giving ceramic utensils a smooth and shiny surface. It serves a decorative purpose, making ceramics visually appealing, and enhances the mechanical strength, surface hardness, and resistance to chemical corrosion of ceramics. Additionally, because the glaze is a smooth glass-like substance with very few pores, it is easy to clean dirt, providing convenience for the user.
Glaze, like the ceramic body, is produced from rocks or soil, but it differs from the body in that it melts more easily in fire. When the intense heat in the kiln causes the material to reach a semi-melted state, the raw materials for the glaze must be completely melted into a liquid state. After cooling, this liquid solidifies to become a glaze. Glaze is a glassy layer on the surface of non-absorbent porcelain; the sintered glaze is silicate, and the silicate source is plant ash and feldspar.
Ceramics fired with various colored metal oxides were added to the glaze to display rich colors. The glazes used for ceramic ornaments are very diverse, mainly including red glaze, cyan glaze, green glaze, yellow glaze, blue glaze, white glaze, black glaze, purple glaze, Ru kiln glaze, tea powder glaze, and many others. In addition to colored glazes, there are many types, such as crystalline glaze, crackle glaze, and matte glaze. Colored glazes are further divided into high-temperature and low-temperature glazes, with more than 60 types of high-temperature colored glazes and more than 30 types of low-temperature colored glazes, and the variety of raw materials is numerous. The porcelain clay used for ceramic ornaments is relatively refined in material selection, and most are coated with high-temperature glaze. The glaze makes the surface of the objects waterproof, gives them a luster, provides a clean and bright feeling, and increases their strength, making them easy to clean. Through these glaze colors, ceramic ornaments can present a rich artistic effect.
Several methods for glazing include dipping, pouring, brushing, and spraying. Dipping involves immersing the entire piece in a suitably thick glaze, allowing it to naturally absorb to a certain thickness. Brushing involves using a brush dipped in glaze to apply it to the piece, and using the side of the brush can create special effects. Spraying involves using a sprayer to apply glaze to the body. The glazing method can be chosen according to the design of the ceramic ornament, followed by low-temperature sintering, and finally, hanging them on specially designed stands to dry, resulting in exquisite ceramic ornaments.
